21. Language and languages in Joyce’s fiction

Serenella Zanotti – Language and Languages in Joyce’s Fiction: An Introduction

Fritz Senn, Jolanta Wawrzycka, Enrico Terrinoni, Erika Mihálycsa – Joycean Translatitudes

Richard Brown – The “Whereabouts” of the Intertextual-genetical in Joyce and Sterne

Ilaria Natali – Defining His Poetics: Joyce’s Early Notes on the Divine Comedy

Laura Pelaschiar – Joyce’s “Pinocchioism”: The Language of Lies in Joyce’s Art

Arianna Autieri – Translating Joyce’s Musical Language: “The Dead”

Niall Ó Cuileagáin – “Is he as innocent as his speech?”: Rural Hiberno-English in Stephen Hero and A Portrait of the Artist as a Young Man

Alberto Tondello – Material Language and Situated Cognition in James Joyce’s A Portrait of the Artist as a Young Man

Chiara Sciarrino – Corpus Stylistics and A Portrait of the Artist as a Young Man: (De-) constructing the Spirit of the Soul

Ira Torresi – A Tale of Two Homers (and One James): Ulyssean Loops from Literature to Popular Culture, and Back

Ennio Ravasio – “Why Minor Sad?”: Musical Theory in Ulysses

Fedya Daas – “Masked licence”: Parody, Heroism and the Yeatsian Theory of the Mask

Andrea Binelli – Circulating Like a Ballad in The Dark. Joyce, The Wake and the Anarchist Translation

Alan Shockley – “[S]oandso Many Counterpoint Words”: The Contrapuntal Music of “Night Lessons”

Annalisa Federici – “Dear Henry” / “Dear Jim” / “My Dearest Nora”: Fictional and Private Language in Joyce