edited by Rosa Maria Bollettieri Bosinelli / Franca Ruggieri – Bulzoni, Roma 2002
CONTENTS
Rosa Maria Bollettieri Bosinelli, Franca Ruggieri – Introduction: “Several Inverted Volumes Improperly Arranged”
Section 1: Bernard Benstock and James Joyce
Giorgio Melchiori – Joyce Studies in Italy
Fritz Senn – From Zurich to Forlì: How Some of It All Began
Michael O’Shea – Bernard Benstock (1930-1994) and the “Dublimericks”
Paola Pugliatti – “Were there schemes of wider scope?”: or, Why So Many Hats in “Hades”?
Carla Marengo Vaglio – “All the World’s a fair”: Word as World in Ulysses
Franca Ruggieri – Laocoon and Stephen Dedalus
Sam Whitsitt – Driven by Vanity, or Drive by yourself: Rethinking Joyce’s “Araby”
Luigi Schenoni – The Cast of the Mime in “Finnegans Wake” Book II, Chapter I, pp. 219.01 – 221.17
Section 2: Crime in the Library
Umberto Eco – What’s Crime Fiction Doing on the Library High Road?
Maurizio Ascaril – The Detective and the Mirror: A Literary Genre Discovers Itself – Maurizio AscariI
Richard Brown – Intelligence Fiction as a Modernist Genre – Richard Brown
Alistair Stead – Joyce on the case: “Supposing that it was his own case he told…” – Alistair Stead
Rosa Maria Bollettieri Bosinelli – The Reader as Detective: Scherlockholmesing Joyce’s Texts
